James Horner, the film composer known for his scores for Field of Dreams, Braveheart and Titanic among others, has died in a plane crash near Santa Barbara.
Horner, aged 61, was nominated eight times for Golden Globes, winning in 1998 for co-composing the song My Heart Will Go On for Titanic. His score for Titanic sold a whopping 27 million copies worldwide.
He began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s. After receiving a bachelor’s degree in music at USC, he went on to earn his master’s degree at UCLA and teach music theory there. He began scoring student films for the American Film Institute in the late 1970s, which paved the way for scoring assignments on a number of small-scale films. His first large, high-profile project was composing music for Star Trek 11: The Wrath of Khan in 1982 which led to compositions for films directed by George Lucas, Steven Spielberg, James Cameron, Oliver Stone, Ron Howard and others.
Three films he scored will be coming out soon: the boxing drama Southpaw, Wolf Totem, out in September; and The 33, a drama based on the 2010 mining disaster in Chile that’s set for November.
Horner was piloting the small aircraft when it crashed into a remote area about 60 miles north of Santa Barbara, officials said.
As we gear up for Cannes, the HFPA’s Elisabeth Sereda takes a look at previous festival misbehaviour and expects more to come.
The line-up was announced by festival programmer Thierry Fremaux and Cannes president Gilles Jacob
With Berlin and Sundance over and as we gear up for Cannes, the talk among the international press is not so much what films are going to be shown (we can look that up) as to who is going to misbehave in the most entertaining way. LaBeouf walking out of the press conference for Lars Von Trier’s ‘Nymphomaniac’ after answering a reporter’s question about the film’s sex scenes with a quote from French actor and former soccer player Eric Cantona (“When the seagulls follow the trawler, it is because they think sardines will be thrown into the sea. Thank you very much.”) can be interpreted as a desperate plight for trying to be interesting by an actor who is not known for his eloquence, but it was hardly shocking. Actors and directors have walked out of interviews as long as one can remember. Especially at festivals.
It was his head-in-a-paper-bag appearance that same evening on the red carpet that got the most coverage. With holes cut out for his eyes, he (or an assistant) had written „I AM NOT FAMOUS ANYMORE“ on the bag.
Quentin Tarantino is still famous for not mincing words which he proved at various press conferences in Cannes and other festivals, but very few people remember him getting physical way back in 1992, when he slugged a security guard before the screening of a Belgian film he was trying to get in to: “I am trying to cleverly push my way in and all of a sudden this French guy with a tuxedo and a red bow tie pushes me in the chest,” said Tarantino, according to Reuters. “I am from Los Angeles. We have the LAPD there. These red bow tie guys don’t show me anything. So I took a swing at the guy.” Tarantino, not as famous then, avoided major press coverage of the fight which was joined by his then-girlfriend and had to be broken up by five other guards. He laughingly told the story in 2004 while promoting ‚Kill Bill – Vol.2’ at the festival.
Many others have displayed anger and gotten into verbal altercations with reporters, like Bruce Willis (before he mellowed) who called a question idiotic and suggested to the man asking it to go back to journalism school. This generated mostly laughter from the attending press: the man’s question was indeed idiotic and Willis had just simply put him in his place.
Others have shown their sense of humor when confronted with inane questions. When Brad Pitt promoted ‚Fight Club’ at the Venice festival in 1999, the first question was about the actor’s new haircut. „What a way to start a press conference about this film“ Pitt responded, „really deep question“. The mood went from ridiculous to nasty once the press did ask about the violence in the film: „Man, this is ugly“ Pitt mumbled, away from but clearly audible by the open microphone. He should have gotten an inkling of what was up at the premiere. As he told Entertainment Weekly later: “I remember Fight Club playing at the Venice Film Festival at a midnight screening. And Edward Norton and I, after having a few drinks, were sitting next to the president who’s running the whole thing. We’re sitting up in the balcony. It’s subtitled, and we are the only f—ers laughing. It gets to one of Helena [Bonham Carter’s] scandalous lines — “I haven’t been f—ed like that since grade school!” — and literally, the guy running the festival got up and left. Edward and I were still the only ones laughing. You could hear two idiots in the balcony cackling through the whole thing.”
Berlin and Cannes may have had their share of ridiculousness but it is the official press conferences in Venice that no serious journalist attends for work purposes. We all go, usually straight after the 9 am screening for a comedy break. This is where a Spanish guy who clearly hadn’t seen Steven Spielberg’s ‚Saving Private Ryan’ asked the director why he hadn’t shown the use of condoms for safe sex in his film. The baffled Spielberg stuttered: „But…but there is no sex in my film.“ This didn’t deter the guy. He wanted to start a discussion on safe sex and he damn well did. For another two minutes or so. This was shortly before yet another festival-hair-question was posed to Jude Law who by then had already started battling a receding hairline.
Venice is, after all, the place where good looking movie stars get heckled, ridiculed and even proposed to. Just ask George Clooney who treats his appearances in Venice every other year no differently from ‚The Jimmy Kimmel Show’. After years of dodging the girlfriend question with his well known wit, he ran out of escape plans when a scantily clad Italian woman – who bore a striking resemblance to Elisabetta Canalis long before that one was even in the picture – asked him how much longer he intended to stay single and then proposed to him. She had come prepared and brought along a friend dressed as a catholic priest. The star went along with the charade and participated in a mock wedding in the press room.
Clooney got angry only once. When a reporter attacked him for doing Nespresso-commercials (their parent company Nestle is considered an evil corporation by some) he countered with his own research on the fair trade practices of the coffee firm. And then chastised the reporter for not having done the same.
As Cannes has just released their line-up, we can look forward to more „performances“ by actors and press. Yes, there will be woman who will want to Channing all over his Tatum and men who will inquire as to the status of Sienna Miller’s relationship (both there for Bennett Miller’s „Foxcatcher“). Nicole Kidman, who has the opening night with „Grace of Monaco,“ surely is not looking forward to being asked about the state of her marriage – fine, but not according to the US-rags. Robert Pattinson will look helplessy to his director David Cronenberg and co-star Julianne Moore before not answering any questions about a girlfriend, and Mia Wasikowska who will attend for the same film („Maps to the Stars“) will breathe a sigh of relief that all the attention is focused on him instead of her relationship with Jesse Eisenberg. Tommy Lee Jones, director of „The Homesman“ will frustrate journalists with non-answers, and Annette Bening and Berenice Bejo who will travel to Cannes for Michel Hazanavicius’ „The Search“ will look as beautiful as they are bored.
And someone somewhere along the Croisette will cause a scandal that fills the papers for days. It always happens.
Here is the link to the Cannes lineup:
A collection of photographs and correspondence from veteran Hollywood stuntman Chuck Waters’ 40 years of work on films ranging from The Exorcist and the Indiana Jones trilogy to Pirates of the Caribbean is on display this month at Pepperdine University in Malibu.
Waters, 80, donated the digital collection, which captures the stunt industry at its height, before green screens, wires and computer-generated imagery.
“It is really a wonderful glimpse into an old, but important, part of the Hollywood film making industry,” said Mark Roosa, dean of libraries at Pepperdine University.
Waters worked for some of the biggest names in Hollywood, including George Lucas, Steven Spielberg, William Friedkin and Francis Ford Coppola. He more recently performed stunts in Pirates of the Caribbean: The Curse of the
Black Pearl, Changeling and J. Edgar. Those are just a few of the 130 films on which he served a stunt performer or stunt coordinator, according to City News Service.
Waters has been set on fire, rolled in crashing cars, clotheslined off motorcycles, driven off cliffs, dropped from helicopters and hurled down stairs.
“We, my fellow stuntmen and stuntwomen, had to figure out how to do our stunts as safe as possible so that we could live to see another day of stunts, as dangerous as they were,” Waters said. “And sometimes they did not get to see the next day.”
by Jack Tewksbury
For forty years the HFPA has recorded interviews with famous and celebrated actors, actresses and filmmakers. The world’s largest collection of its kind — over 10,000 interviews — is now in the Academy of Motion Pictures Arts & Sciences Library. The audios are fascinating. Below is an excerpt: in 1993, promoting her turn among Steven Spielberg‘s genetically engineered dinosaurs of Jurassic Park, three-time Golden Globe winner and 1982 Miss Golden Globe Laura Dern talked about embracing her career over the objections of her mother (and co-star in the HBO series Enlightned) Diane Ladd, and finding love on the set.
Laura Dern and her Golden Globe for Best Actress in a Comedy Series, for Enlightened, 2012.
Steven Spielberg accepts a grant on behalf of the Film Foundation and thanks the HFPA for its continued support of (more…)