Clooney, an actor, writer, director and producer, who is also known for his humanitarian deeds, will receive the award at the 72nd annual Golden Globe Awards on January 11.
The Cecil B. DeMille Award is given annually to those who have made an incredible impact on the world of entertainment. Recent recipients include Woody Allen (2014), Jodie Foster (2013), Morgan Freeman, (2012), Robert De Niro (2011), Martin Scorsese (2010), Steven Spielberg (2009), Warren Beatty (2007), Anthony Hopkins (2006), Robin Williams (2005), Michael Douglas (2004), Gene Hackman (2003), Harrison Ford (2002), Al Pacino (2001), and Barbra Streisand (2000).
Clooney last year appeared in Gravity and through his Smokehouse production company he most recently produced, directed and starred in The Monuments Men . He will soon be seen starring in the upcoming sci-fi film Tomorrowland for Disney.
Clooney’s achievements as a performer and a filmmaker have earned him four Golden Globes, two Academy Awards, four SAG Awards, one BAFTA award, two Critics’ Choice Awards, an Emmy and four National Board of Review Awards.
He is recognized as much for his global humanitarian efforts as he is for his accomplishments in the entertainment industry. In 2006, Clooney and his father, Nick, went to drought-stricken Darfur, Africa, to film the documentary Journey to Darfur and the following year Clooney, Brad Pitt, Matt Damon, Don Cheadle and Jerry Weintraub founded Not On Our Watch, an organization whose mission is to focus global attention and resources to stop and prevent mass atrocities in Darfur. Among the many honors received as a result of his humanitarian efforts in Darfur, was the 2007 Peace Summit Award, given at the eighth World Summit of Nobel Peace Prize Laureates.
In 2008, Clooney was designated a U.N. Messenger of Peace, one of eight individuals chosen to advocate on behalf of the U.N. and its peacekeeping efforts. Two years later, Clooney, along with Joel Gallen and Tenth Planet Productions, produced the Hope for Haiti Now! telethon, raising more than $66 million. The Academy of Television Arts and Sciences awarded Clooney with the Bob Hope Humanitarian Award and later that year, Clooney received the Robert F. Kennedy Ripple of Hope Award for his dedication to humanitarian efforts in Sudan and Haiti.
ELISABETH SEREDA LOOKS AT THE LIFE AND CAREER OF ‘THE SMARTEST MAN IN HOLLYWOOD.’
George Clooney’s life and career has always been defined by extreme contrasts. Born in Lexington, Kentucky, his first job was cutting tobacco.
But from the age of five he accompanied and watched his father Nick, a news anchor in the vein of Walter Cronkite, who moved the family back and forth between Kentucky and Cincinnati, Ohio, where he had his show. Nick Clooney later inspired his son to write and direct Good Night, And Good Luck about Edward R. Murrow, another newsman who tried to bring down Senator Joseph McCarthy.
Teenager George was very active in baseball and basketball and tried out for the Cincinnati Reds but did not get a contract. Showbusiness was not first and foremost on his mind, if anything he saw himself followingi n his father’s footsteps. But there was the famous aunt, Rosemary, and her husband Jose Ferrer. Young George was an assistant on one of her tours. He also sold women’s shoes and developed a talent for drawing and caricatures. After his cousin Miguel got a small part in a feature film, he, too, pursued acting.
The first break in a major role came in 1984 with a sitcom called – funny enough – E/R. But it took ten years and a lot of cancelled TV-series and supporting parts such as his role as Booker on Roseanne until is big breakthrough in the drama series ER.
He likes to joke about his first feature film Return of the Killer Tomatoes! and while on ER he made Robert Rodriguez’ cult classic From Dusk Til Dawn, the romantic comedy One Fine Day and Batman & Robin.
„See that poster above my desk?“ he once asked during an interview in his mproduction office while pointing at it: „That is there in case I ever get too big for my britches, to remind me how I ruined that franchise!“ he jokes.
It was the trifecta of Steven Soderbergh’s Out Of Sight, Terrence Malick’s The Thin Red Line and David O.Russell’s Three Kings that cemented his reputation as feature film actor. He won his first Golden Globe for the Coen Bros.’ O Brother, Where Art Though? and proved that he could sell blockbusters with The Perfect Storm and the Ocean’s trilogy.With his directorial debut Confessions of a Dangerous Mind he caught the directing/roducing bug and formed his own company with – at first – Soderbergh and then longtime friend Grant Heslov, whom he met in acting class. With, among others, Syriana, Good Night, And Good Luck, Michael Clayton,Burn After Reading, Up in the Air, The Descendants, The Ides of March and Argo he established himself as film industry powerhouse.
Many in the industry call him „the smartest man in Hollywood“. Unbegrudgingly so. When it comes to his Golden Globe nominations he sets a record that is unprecedented in the history of our awards: so far he has been nominated in nine (!) different categories, including producer, writer, director and every male actor category. At this point he could only top this if he were to write a song or have a sex change.
Along the way he also became famous. He is, in fact, the most famous star of his generation. Or any generation. His level of fame is such that if he never did another film again, he would not become less known. He is famous the world over. With one exception: „When I went to Darfur and at the border to Chad we were held up at gunpoint, no one recognized me. That was the only time where I wouldn’t have minded a little fame! “ he laughs. That was on his first trip to Africa with his father in April of 2006. He is now known for his admirable fight for human rights in Darfur and South Sudan. His Satellite Sentinel Project uses satellite imagery to document Omar al-Bashir’s and Ahmad Harun’s atrocities. He visits The region regularly and lobbies Western governments to provide aid. I remember once visiting him on a film set when he was in his trailer, late for our interview which is very unusual for him. His very good reason? He was on the phone with the French foreign minister, discussing sanctions against the Sudan.
He lobbied Congress and has the ear of President Obama. And when that is not enough, he goes further. In March of 2012 he got himself purposely arrested for civil disobedience while protesting outside the Sudanese Embassy in Washington D.C. The idea for the satellite came to him while watching paparazzi watch him at his villa on Lake Como: „I thought, why not turn this around? Why not turn the cameras on warlords and murderers and beam the footage to news organisations around the world?“
The International Criminal Court in The Hague has being using this imagery to collect evidence for trials. „Our main objective was to keep the attacks from happening in secret.“ Clooney says. „Now we’ve hired a team of forensic accountants to go after the banks that launder their money that helps them buy weapons.“
Besides the Satellite Sentinel Project Clooney also founded Not On Our Watch with colleagues Don Cheadle, Matt Damon, Brad Pitt and Jerry Weintraub and is involved with the Enough Project and various other charities. He organised A Tribute To Heroes to raise money for the families of the victims of 9/11 and another telethon, Hope for Haiti, after the earthquake.
He credits his parents and the era of his youth for his political and humanitarian involvement: „My mother was the mayor, my father ran for Congress. My parents were involved with the news and I think the news is very intricately tied to politics. There was a guy running for governor of Kentucky and I worked on his campaign when I was 13 or 14 years old. I grew up in an era where you had to be involved. There was the civil rights movement, the Vietnam war, the women’s rights movement. As a young person you had to be involved, there was no other option.“
His political interests inspire his work. Many of his film- and TV-endeavors have been fueled by that passion, from his live-TV-event Fail Safe that he spent a full year preparing, to The Ides Of March. As a writer he is particularly interested in subjects that deal with politics and the media.
And as a Hollywood star he has a better understanding of journalism than most. The HFPA has enjoyed a great relationship with him since we first interviewed him on the set of ER. Many other interviews followed. We have visited him in Gloucester, Massachusetts, on a boat braving The Perfect Storm and flew to the darkest forrests of Germany to see him direct The Monuments Men.
And since the Cecil B.DeMille is a lifetime achievement award not a retirement award, we are looking forward to many more. He certainly has no plans of slowing down: Tomorrowland, Hail Caesar! and Money Monster are coming out in 2015 and there are more than ten projects in development including Hack Attack, an adaptation of Nick Davies’ book on the UK hacking scandal. Somewhere not so in between he will continue his humanitarian work that will include his new wife Amal Alamuddin, a human rights lawyer.
In short: George Clooney goes effortlessly from the red carpet to war-torn Africa. He does not scare easily. He is one of the genuinely nicest people you will ever meet, famous or not. He is also one of the smartest, well educated and has by far the best sense of humor in Hollywood. He is a great host and a loyal friend.
And he knows how to enjoy the crazy ride that took him from the Kentucky tobacco fields to the Hollywood Hills and the shores of a lake in Italy: „If you get to the position I’m in in life, you’ve really got the brass ring. You got lucky. And I think people who aren’t quite as lucky as me would be very angry if they didn’t think I was enjoying it.“Read More »
SAM ASI finds award-worthy performances at TIFF
In the last 10 days, hundreds of thousands of film fans and experts, including 45 HFPA members, descended on Toronto with great expectations and hopes to discover next year’s potential Best Picture Golden Globe and Oscar winner. Armed with their precious tickets, they stood patiently for hours in long lines in the sweltering heat, hoping to witness film history again.
But while there hasn’t been an outstanding best picture contender, there have been so many award-worthy male performances that rendered best picture debate almost irrelevant. Instead, fans and experts were embroiled in a discussion about next year’s Golden Globe and Academy winner in the best lead actor category.
Many performances are drawn from real life and bring to life real people, both dead and alive: Benedict Cumberbatch as code breaker Alan Turing; Timothy Spall as the painter J.M.W. Turner; Eddie Redmayne as the crippled scientific genius Stephen Hawking and Sterve Carell as the deranged billionaire John E DuPont.
The question on people’s lips was: where are the ladies?
No doubt TIFF is feeling the heat from other competing festivals, which are also trying to be relevant in the awards race. TIFF’s recent attempt to dissuade filmmakers from opening their films in Venice and Telluride film festivals, both held a week earlier, by disallowing their film from being screened in the first 4 coveted days, before the the press and the industry leave the city, has backfired. Many important films, that had opened in other festivals, were jammed in a very tight schedule and others such as Birdman, have skipped Toronto altogether and headed directly to The New York Film Festival.
That said, TIFF is not only about predicting awards, it’s about film commerce too, where movies are sold and projects are financed. Setting a record, Chris Rock’s “Top Five” sold to Paramount for $12.5 million. This kind of figure is an anomaly, for the rest of the deals averaged around $3 million. Among them was John Travolta’s heist movie “The Forger,” and Michael Douglas’s “The Reach” for $2 million each. Clearly big star names don’t yield big money in the age of Hollywood blockbusters.
As TIFF wraps up its activities without providing clear runaways, eyes will be shifting to New York, where the festival will open this month with David Fincher’s highly anticipated “Gone Girl”, and will also premiere Paul Thomas Anderson “Inherent Vice.”Read More »
ELISABETH SEREDA REPORTS FROM TORONTO’S PARTY OF THE YEAR
Pictures: ARMANDO GALLO
What do you call a party that includes Salma Hayek, Kevin Costner, Robert Downey Jr., Laura Dern, Mark Ruffalo, Channing Tatum, Benedict Cumberbatch, Josh Charles, Piper Perabo, Naomi Watts, Jessica Chastain, Eddie Redmayne, Jeremy Irvine, Anthony Mackie, Quvenzane Wallis, Ben Stiller, Simon Pegg, Asa Butterfield, Bill Nighy, Jena Malone, Zoe Kazan, Abigail Spencer, Ken Howard and Matthew Goode – just to name a few?!
An HFPA event.
On Saturday night the HFPA and InStyle put on our annual TIFF party at the Windsor Arms Hotel. Salma Hayek was the first to arrive at 10:00pm sharp. She walked into an empty room that filled up less than ten minutes later with an array of actors, directors, producers and just about everyone who is anyone at the Toronto film festival.
Looking stunning in a black Gucci dress with silver studs, she claimed jetlag having just flown in from her Paris home. But if anything it was more a bad case of nerves: “We had the premiere of the animated movie I produced, Kahlil Gibran’s The Prophet. This film, I swear, has taken over my life for five years! And I was mortified. And then, 45 minutes into the film, the audience started clapping! And they kept clapping at one scene after the other. I sat there in shock. They tell me that never happens in Toronto.“ If Salma’s reaction was shock, then shock looks damn good.
Quvenzane Wallis – not so little anymore – did an Angelina Jolie on the red carpet in a black silk designer suit with a white silk blouse. Only two years after her breakout performance in Beasts of the Southern Wild she is now used to photo ops, screaming fans and the hoopla that comes with fame. She briefly hung out with Hayek, having lent her voice to the film before heading to bed much later than most 11 year olds.
Also riding a joy wave is the Foxcatcher team. Channing Tatum showed up with director Bennett Miller who had supposedly re-edited the film from the original version that had its world premiere at the Cannes festival in May : “I haven’t seen it yet, but I heard he tweaked it a little, and shortened it a bit.“ said co-star Mark Ruffalo, who was the life of the party and has so many films to promote this year that it is hard to keep track. A social media pro, he filmed himself with his phone talking about the party.
Naomi Watts faces a similar dilemma as Ruffalo: she had Birdman in Venice and stars in two films at TIFF, was raving about St.Vincent while standing next to Noah Baumbach, the director of her other film, While We’re Young. Miles Teller who delighted everyone with his performance in Whiplash came over and Naomi greeted him like an old friend, thinking she had met him before. Fiction and reality must have collided, because although they both star in Allegiant, the follow up to Divergent, they had – in actual fact – never met before: “I’m having a senior moment!“ she laughed about her imaginary friend.
Piper Perabo was meeting up with real friends: shooting the 5th season of Covert Affairs here, the city has become home. Hanging out on the smokers’ terrace were Benedict Cumberbatch with his gang of followers, and Josh Charles, who can now relish being killed off on The Good Wife. His film Bird People is getting rave reviews.
The award for funniest outfit of the night goes to The Judge-star Robert Downey Jr. who wore a very elegant – and sure to be designer – version of silk pyjamas with animal prints. He brought his wife Susan, a producer on the film.
And the event’s best promoter? Without a doubt Kevin Costner with his better half Christine Baumgarten, who kept saying what a cool party this was.
When we left at 2:00 am, it was still going strong. It wasn’t the youngsters like Jeremy Irvine and Asa Butterfield, but the older festival pros like Jake Gyllenhaal and Anna Kendrick who had the most stamina. And some party die-hards must have suffered a well-earned hangover in the morning.
More party pictures:Read More »
And she has given an insight into how she and Amy plan their remarks and jokes.
“After the first time, Amy and I were saying, ‘Oh we had so much fun, would it be a bad idea to try to do it again?’ ” she said. “And Lorne said, ‘You should do it for two more years because when you do it the second time it won’t be up in the air as to whether you get invited back. Then you come back one more time as a good bye and then you are done.’
“I thought that was very good advice—he might know what he’s doing in show business.”
She said she and Amy don’t start planning for the Globes until they see who the nominees are. “You can’t work on it too soon,” she said. “So we usually start a couple of weeks ahead of time when we rally all our friends to start writing jokes. The most time-consuming thing is to watch all the movies. We don’t get flown to junkets and stuff so we have to watch all the screeners. I thought last year was a particularly great fun year for movies and I can’t wait to see what presents itself this year as the big one.”Read More »
Forty-five HFPA members are in Toronto for the annual film festival which now rivals Cannes and Venice for star power and movie premieres.
This year the festival is showing a total of 393 films, including 142 world premieres.
The Judge, which stars Robert Downey Jr.and Robert Duvall opened the festival with a gala premiere at the Roy Thomson Hall, where the movie’s stars along with director David Dobkin, walked the red carpet and faced a phalanx of fans and photographers.
Among the stars creating the biggest buzz is Bill Murray, who had an entire day devoted to him—Sept 5 was designated Bill Murray Day at TIFF which laid on free screenings all day of his most popular movies.
“It was a dizzy day,” said Bill, whose movie St. Vincent, had its premiere the same evening. In it he plays a cantankerous Brooklyn retiree who becomes co-conspirator in mischief with a neighboring 12-year-old lad. ” “I rode my bicycle through the streets and people waved and shouted to me. I saw a lot of friends I hadn’t seen for a long time and then we had the premiere and the party afterwards.”
To the horror of many in the city and the delight of journalists and late night comedians, Toronto’s notorious crack-smoking mayor Rob Ford is newly out of rehab and hitting the campaign trail in preparation for next month’s mayoral election. Although maintaining a high profile, he has mainly stayed away from festival events and parties, concentrating on speeches aimed at improving his poll figures—so far he lags behind his opponent in the race.
While big-name stars fill they screens there is plenty of action out in the streets, too. For the first time, five blocks on King Street, in the city’s Entertainment District have been transformed into a car-free TIFF playground complete with a giant chessboard, music stages, nightly performances and a scavenger hunt.
But not everybody is happy. The VIP ticket prices at the festival are causing controversy with some fans who feel the annual event has become elitist and may no longer be a “People’s Festival” as it has been in the past.
Moviegoers are steamed at the new $1,500 “Buzz List” package that offers five tickets to the moves, working out at $300 a film. Regular ticket prices are now $24 and $46 for a red carpet premiere. The closing night gala film plus a cocktail reception is $205.
Critics say the prices are an indication that the festival has become increasingly corporate at the expense of the average filmgoer.
Read More »
SAM ASI EXAMINES THE GRIM SUMMER BOX OFFICE FIGURES
With weak performances at the US box office over the course of the this summer, it’s not a surprise that the final box office total gross from May to August is only $4.1 billion. That is 15% down from summer 2013 ($4.75 billion) and the lowest total since 2006 ($3.37 billion). And if we adjust for higher ticket prices and estimate the number of tickets sold, we end up with the weakest summer since 1992, when we had 400 million admissions compared to this summer’s 500 million.
These grim figures have sent pundits scratching their heads this week, trying to figure out what went wrong, and some reaching foreboding conclusions, predicting the end of the Hollywood as we know it and suggesting that kids are so preoccupied with video games and social networking in the comfort of their bedrooms that they have neither the time nor the energy to make the journey to cinema theatres. These gloomy predictions sound like a plot from a dark Hollywood movie, but do they match reality?
Numbers don’t lie, but let’s not forget that unlike last summer, when we witnessed the slaughter of gigantic blockbusters, such as White House Down, After Earth, Pacific Rim and The Lone Ranger, this summer was relatively bloodless. Bruised and wounded from last summer’s calamities, Hollywood studios have tightened their belts, eschewed originals and deluged the market with it box-office safe sequels. The strategy has paid off. There wasn’t one single tentpole flop this summer and all the sequels, except Expendables 3, which was a victim of piracy, made a profit. So where is the problem?
For a start, for the first time since 2001, none of these sequels grossed more than $300 million in the box office. Perhaps there is indeed a sequel fatigue, because audience flocked in droves to see an original blockbuster, Guardians of The Galaxy, which topped the box office with $253 million and is predicted to pass the $300 million mark. Hence, it’s reasonable to suggest that had Pixar released its new originals, Inside Out or The Good Dinosaur, this summer the box office would’ve fared better.
In fact, this summer didn’t offer any of Hollywood’s mega-franchises, with several studios pushing the release of their flagship movies to next year, such as Fast and the Furious 6, Avengers: Age of Ultron, Jurassic Park reboot and Fantastic Four. With titles like these, the box office is sure to rock and roll.
Of course, there could be other factors that kept the audiences away from theatres this summer. With football becoming popular in the US, millions of Americans were glued to their TV watching the World Cup in late June and early July, the hottest summer time for Hollywood movies. Furthermore, wars in the Middle East and Ukraine may also distracted moviegoers with the daily supplies of gruesome images that movies don’t dare show.
But the most pressing question is: Is the US box office still relevant with nearly 75% of the global box office intake coming from the international market? In fact, Hollywood is so reliant on overseas markets that it invest more in selling its movies there than in the US. Hence, a 15% fall in total gross is a small drop in a big ocean. With production cost down and expanding international market, Hollywood continues to be a profitable enterprise.Read More »
The HFPA gained plaudits and publicity for giving away almost $2 million at it’s grants dinner last month, but its charity work continues throughout the year, as a recent letter from the Small Wonders Foundation to HFPA president Theo Kingma demonstrates.
In it, Small Wonders president Thelma Waxman said that a Golden Globe awards celebrity gift bag donated by the HFPA earlier this year raised more than $12,000 at a silent auction, money which will go towards helping pay for surgeries to correct congenital defects of children whose parents cannot afford the procedures or are denied by insurance companies.
The Foundation’s goal is to provide children with deformities the care and support they need to live full and happy lives.
“Thank you for your support and for making miracles happen,”writes Ms. Waxman.Read More »
It’s a hot and dusty summer afternoon when members of the Hollywood Foreign Press Association make their way to Pico Rivera, just south-east of Los Angeles, to visit the set of the upcoming DirecTV series KINGDOM – a former juvenile correctional that’s been meticulously converted to a professional MMA gym for the show.
We’re here to talk to Nick Jonas, but looking around, the two guys sparring in the ring look more like Tom Hardy or Mark Wahlberg than a former boybander. But wait – could that buff, shirtless shaved-head fighter taking the lead be the former Jonas Brother and Disney star?
The show follows a group of mixed martial arts competitors based in Venice, California, with adult-themed plotlines – quite a definitive departure for the 21-year-old Jonas disassociating from his past teenybopper image. “I think for me it was about just trying to grow as much as I can,” he says. “I think my training comes on the acting side from theater, doing live performances on Broadway and the West End in London, but really found that in the last year and a half, doing some different guest spots, and lots of work with an acting coach, I really worked on the craft and wanted to become the best actor I can be, while also finding a way to make all the different elements of what makes me who I am as a performer available.
“For me this was the first step into that. I got to work with some amazing fighters and at the front of that, Joe Daddy Stevenson was our main fight coordinator for the show. And I love it. I am around really experienced fighters every day, so I get a real taste of what fighting means to them, so it’s not just really about the fighting and the technique, it’s about the lifestyle that you have to live which is consumes so much of your time and you have to be very committed to it.”
Without revealing any details about storylines, Jonas admits there are elements of his character that resonate with him on a personal level. “I think there are some similarities: he is reserved, he chooses his words wisely, he internalizes a lot of things, which I try not to do, but that is something that is specific to Nate and I think he’s got a lot of darkness in him at times that he has just kept in there and bottled it up. And his journey is interesting; he’s the prize fighter, he’s poised to be the next big fighter in the world, when he has a career-altering and life-altering injury. And I think after that, it’s like ripping the carpet out from someone. And once you take away the thing that they have done all their life, who are they and who are the people around them and what does it all mean— I think that’s what we see. And it’s coming-of-age, but under extreme circumstances. I think it’s something a lot of people will relate with, and I know that I have connected to this character in a lot of ways, and his need to fight and his necessity for normalcy, which he just doesn’t have.”
Does he think his devoted fan base who have loved him as part of the Jonas Brothers, will support this transition, considering the stories on the show can be quite heavy? “I think it’s just about them seeing my passion and I am making some bold moves. This is a really gritty show, that puts me in a totally new light. So I expect that there will be a big group that comes with me on the journey, but also some that won’t. And I think I have to be willing and ready to go on that and know that for me to be able to continue to grow and become the actor and performer I want to be, I have to take those big, bold steps.”Read More »
HFPA GIVES AWAY $2 MILLION—AND ANNOUNCES A $7.5 MILLION CHARITY BONUS
The HFPA gave away almost two million dollars to entertainment-related charities during a star-studded night of love, laughter and surprises at the Beverly Hilton Hotel.
This year’s donations brought the amount given away by the HFPA over the last 20 years to $20 million—-and president Theo Kingma revealed to applause that another $7.5 million is available thanks to Guggenheim Partners, the new owners of dick clark productions, the HFPA’s Golden Globes producing partners.
” It underscores a new kind of partnership and we are going to make sure it is shared with those that are so deserving in an industry HFPA journalists cover all year,” said Kingma.
The evening featured a performance by actress Kristen Bell, who wowed the guests with the song, Wanna Build a Snowman from the hit movie Frozen.
The many celebrities who were there to accept the checks included Sofia Vergara, Nick Jonas, Jenny Slate, Andy Samberg, Channing Tatum, Kerry Washington, Rob Pattinson, Minnie Driver, Morgan Freeman, Elle Fanning, Eddie Redmayne, Patricia Arquette,Logan Lerman, Jason Segal, Anne Heche, Franke Potenta, Chris Evans, Gena Rodriguez, Michael Pena, James Marsden and many more.
For the first time the grants were given at an evening banquet instead of at a lunch and marked the latest in ever-increasing amounts of money the organization has given to some 50 diverse entertainment-related and charitable organizations.
Kingma said: “We try every year to give as much as we can to these highly deserving organizations. It is gratifying to know that our efforts are appreciated and we are helping to further the cause of education and film preservation.”
As well as the preservation of film, the donations are for a wide range of projects, including higher education, training and mentoring and the promotion of cultural exchange through film.
Historically the Film Foundation has received the largest single donation and this year received $350,000. So far the HFPA has been responsible for the restoration of 85 films, from Stanley Kubrick‘s Paths of Glory to Federico Fellini’s La Strada and this year’s project, Sergio Leone‘s Fistful of Dollars. In a video message Martin Scorsese congratulated the HFPA on its “incredible contribution to cinema history.”
Morgan Freeman, accepting the check, thanked the HFPA for “a decade of support.”
Among its many additional charities, the HFPA provides scholarships, supports filmmaker training in Kenyan refugee camps and donates money to theater groups, musicians, storytellers’ foundations, film archives and youth projects, as well as many other worthy causes.
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Watch the replay of the HFPA Grants Dinner Banquet